He photographs for i-D and Dazed and Confused monthly which is how he came to my attention through my following of the two editorials.
The main reason I wanted to attend his talk was due to the way in which he uses sexuality and crosses over qualities from the gender spectrum within his photography, which is related to my essay and practical topic.
His photography also has a wide range of styles and forms, whether its through digital or film photography. I myself practice digital, but I'm interested to hear from him which he prefers and how each form of photography translates for each of his projects. He is also a film maker, so this could be a good insight into this form of practice (something I have only dabbled in).
(The xx - I Dare You by Alasdair McLellan)
Here are some of the notes and quotes I took from the talk
"The lighting in my photographs is always natural"
Talking about themes he explores and what inspires his personal work - "Mundane, teenage-hood, experiences, dreams, memories, soundtracks."
He says he used to try and "re-create Morrisey theme" within his earlier work.
"Important to have an emotional connection within the location or scenery."
"A beautiful place that I have never visited before can often feel empty as there are no emotions or personal memories attached."
"Visiting a known place brings back memories."
Discusses the role of fashion photography and how realism creates a genuine experience rather than glamour and fantasy which is often unrealistic.
"As a photographer you've got to think what is interesting."
"Fashion photography can create your own world."
"Doesn't have to have a theory or idea behind it."
"Can be instinctual."
"Can be a unique experience that isn't a curated epicentre. Use it as an advantage."
Quotes from questions asked
"Something that happened, but is set up with that thing in mind as a 'real circumstance' re-creation."
"Fashion photography is constructed" Blurring those ideals makes it more interesting.
About his involvement of LGBTQ community - "North photography identity often presents itself as famous white straight male musicians and having the opportunity to be a part of this project that tells other peoples stories that are usually not told."
From this talk I can take away a lot of things that can be in incorporated into my work, especially my practical.
- Use the technique of photographing people in the area of where I was brought up or where I experienced childhood/adolescence memories
- Especially as
- This could hopefully invoke a special emotional connection that comes through in the photograph like McLellan does with his personal work and editorial spreads
- He photographs for major magazines so this has given me an insight into the imagery that is often put forward and how it is changing or evolved throughout the years by analysing his previous work to his more recent - to see if there is a difference
- How important it is to represent the LGBTQ community and to not be afraid to include gender blurring imagery
- Definitely given me confidence to continue to explore my own interests, ideas and personality - especially when it comes to gender based issues or representation
No comments:
Post a Comment